Documentation about the
opening concert of the festival "Woman
in Jazz" 2009, Halle (Saale), Latin-Jazz and Brazilian Music.
Production, Camera & Postproduction: Thoralf Abgarjan
Opening concert of the
festival "Woman in Jazz"
2009, Halle (Saale), Smooth-Jazz, Camera & Postproduction: Thoralf
Abgarjan
Musikmesse 2009
Music fair Frankfurt 2009:
Camera (EOS-5dMK2) & Postproduction: Thoralf Abgarjan
Riedhof - ein Sommerspaziergang
Jamsession @ "woman
in jazz"
Camera (EOS-5dMK2) &
Postproduction: Thoralf Abgarjan
Shooting with HVX 200/DOF
SG-Pro/Canon FD Primes
Testshootings: Usage of
different Canon FD Lenses and the SG-Pro Depth-Of-Field-Adapter on the
Panasonic HVX-200. Production: Thoralf Abgarjan 2008,
camera: Thoralf Abgarjan, Music:Goya-Project
Feature für das Fachmagazin
"Keyboards": Regie&Produktion: Thoralf Abgarjan
(Auszug), Teil 2
Camera:
The
HVX-200 records in DVC-Pro-HD 720p. Using a DOF-Adapter (DOF: depth of
field) it is possible to create a "film-look" in a digital,
non-film-based workflow. The image looks much softer compared to the look
without DOF-adapter. And of course it is possible to create a shallow
depth of field to focus the object and blur the environment. The result
looks much more like a "film" than a "video". No doubt,
the real 35 mm-Image has a much bigger dynamic and colour range but a
real film production has a much bigger financial effort.
The
"follow focus" is an important tool to change the focus dynamically
in a very creative way. The effect is in the film much stronger than in
a still image, because it is possible to change the focus point within
a scene. Its the best way to affect the attentiveness of the public.The
matte-box is not only for reducing the scattering light, its the holder
for the optical filters, like polarizers, ND-filters etc.
A
shooting with the 35mm DOF-adapter (Sept. 2008).
August
2008: The new HVX-Rig with carbon-rods and the brand-new Redrock-Matte,
sideflags, Redrock-Mount, Firestore FS-100 and Canon Prime 85 mm/ 1,2
with SG Follow-Focus.
